Talk:The Man of Mode: Difference between revisions
Created page with '"Since Etherege himself typified a lot what was characteristic for the Restoration ethos he was able to equip the play with an uncompromising realism": not at all. The play follo…' |
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"Since Etherege himself typified a lot what was characteristic for the Restoration ethos he was able to equip the play with an uncompromising realism": not at all. The play follows the classical plot formula, most of the characters are types (with telling names: Sir Fopling, the fop; Old Bellair, the old man; Lady Townley, from the town). Dorimant is an idealised rake. | "Since Etherege himself typified a lot what was characteristic for the Restoration ethos he was able to equip the play with an uncompromising realism": not at all. The play follows the classical plot formula, most of the characters are types (with telling names: Sir Fopling, the fop; Old Bellair, the old man; Lady Townley, from the town). Dorimant is an idealised rake. | ||
The lengthy plot summary alone should hint at the fact that the play is a construct and far from both reality and realism. | |||
"Later on Harriet´s mother and Old Bellair feel attracted to each other": not at all. | |||
Revision as of 12:02, 18 July 2013
"Since Etherege himself typified a lot what was characteristic for the Restoration ethos he was able to equip the play with an uncompromising realism": not at all. The play follows the classical plot formula, most of the characters are types (with telling names: Sir Fopling, the fop; Old Bellair, the old man; Lady Townley, from the town). Dorimant is an idealised rake. The lengthy plot summary alone should hint at the fact that the play is a construct and far from both reality and realism.
"Later on Harriet´s mother and Old Bellair feel attracted to each other": not at all.