Talk:Second wave: Difference between revisions
Created page with '"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theat…' |
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"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation. | "Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation. | ||
Bond: did it myself. Please leave it the way it is. | |||
Electronic media: does not belong to the Second wave, but to post-dramatic theatre. | |||
Latest revision as of 14:57, 15 June 2012
Cut: "Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.
Bond: did it myself. Please leave it the way it is.
Electronic media: does not belong to the Second wave, but to post-dramatic theatre.