https://el.rub.de/wiki/Brit-Cult/index.php?action=history&feed=atom&title=Talk%3ASecond_waveTalk:Second wave - Revision history2026-05-11T23:36:36ZRevision history for this page on the wikiMediaWiki 1.43.0https://el.rub.de/wiki/Brit-Cult/index.php?title=Talk:Second_wave&diff=8189&oldid=prevPankratz at 14:57, 15 June 20122012-06-15T14:57:01Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cut: </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cut: </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Bond: did it myself. Please leave it the way it is. </ins></div></td></tr>
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</table>Pankratzhttps://el.rub.de/wiki/Brit-Cult/index.php?title=Talk:Second_wave&diff=8019&oldid=prevPankratz at 09:04, 12 June 20122012-06-12T09:04:17Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.</div></td></tr>
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</table>Pankratzhttps://el.rub.de/wiki/Brit-Cult/index.php?title=Talk:Second_wave&diff=8017&oldid=prevPankratz: Created page with '"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theat…'2012-06-12T09:00:14Z<p>Created page with '"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theat…'</p>
<p><b>New page</b></p><div>"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.</div>Pankratz