Petrarchism - Revision history

Pankratz at 19:38, 4 October 2022

2022-10-04T19:38:38Z

← Older revision		Revision as of 19:38, 4 October 2022
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	A mode of writing, usually connected with love [[poetry]] (not necessarily with the genre of the [[sonnet]] usually associated with [[Petrarca]]). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").		A mode of writing, usually connected with love [[poetry]] (not necessarily with the genre of the [[sonnet]] usually associated with [[Petrarca]]). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").

	[[Category:~~Expansion~~]]		[[Category:Stub]]

Pankratz at 17:22, 4 April 2022

2022-04-04T17:22:17Z

← Older revision		Revision as of 17:22, 4 April 2022
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	A mode of writing, usually connected with love [[poetry]] (not necessarily with the genre of the [[sonnet]] usually associated with [[Petrarca]]). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").		A mode of writing, usually connected with love [[poetry]] (not necessarily with the genre of the [[sonnet]] usually associated with [[Petrarca]]). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").

			[[Category:Expansion]]

WikiSysop: moved Petrarcism to Petrarchism

2013-01-21T17:18:54Z

moved Petrarcism to Petrarchism

← Older revision		Revision as of 17:18, 21 January 2013
(No difference)

WikiSysop at 14:36, 4 February 2009

2009-02-04T14:36:38Z

← Older revision		Revision as of 14:36, 4 February 2009
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	A mode of writing, usually connected with love poetry (not necessarily with the genre of the sonnet usually associated with Petrarca). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").		A mode of writing, usually connected with love [[poetry]] (not necessarily with the genre of the [[sonnet]] usually associated with [[Petrarca]]). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").

Pankratz at 19:30, 3 February 2009

2009-02-03T19:30:25Z

← Older revision		Revision as of 19:30, 3 February 2009
Line 1:		Line 1:
	A mode of writing, usually connected with love poetry (not necessarily with ~~sonnets~~). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").		A mode of writing, usually connected with love poetry (not necessarily with the genre of the sonnet usually associated with Petrarca). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").

Pankratz at 19:29, 3 February 2009

2009-02-03T19:29:54Z

New page

A mode of writing, usually connected with love poetry (not necessarily with sonnets). An admirable, but more or less distant person is adored by the lyrical I. This includes the praise of the lady using a catalogue of superlatives and comparisons ("There is a garden in her face", "eyes like angels", "piercing frowns [that] kill"), complaining about the distance and aloofness of the lady ("I sent thee, late a rosy wreath [...] But thou thereon didst only breathe,/ And send'st it back to me").