Mary Granville - Revision history

Pankratz at 15:00, 19 October 2016

2016-10-19T15:00:21Z

← Older revision		Revision as of 15:00, 19 October 2016
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	1700-1788. ~~Born Mary Granville; after~~ first marriage became Mary Pendarves; after second marriage Mary Delany. British artist.		1700-1788. After first marriage became Mary Pendarves; after second marriage Mary Delany. British artist.

	The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''ODNB'') and was clever at “drawing, cutting and design” (''ODNB''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[George Frideric Handel]] with whom she stayed in contact for the rest of her life (Dewes).		The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''ODNB'') and was clever at “drawing, cutting and design” (''ODNB''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[George Frideric Handel]] with whom she stayed in contact for the rest of her life (Dewes).

Pankratz at 11:53, 29 November 2013

2013-11-29T11:53:07Z

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	During her widowhood she wrote many letters to her friends, her mother and her sister so that there was a great collection of them; “her autobiographical fragment, in the form of letters to the duchess, was written about 1740” (''ODNB'').		During her widowhood she wrote many letters to her friends, her mother and her sister so that there was a great collection of them; “her autobiographical fragment, in the form of letters to the duchess, was written about 1740” (''ODNB'').

	Her second husband was the Irish Anglican cleric Patrick Delany (1685/6–1768) and this time both partners “were clearly attracted to each other” (''ODNB''). But, alas, Delany also died at some point. Mary ~~then took to~~ doing art.		Her second husband was the Irish Anglican cleric Patrick Delany (1685/6–1768) and this time both partners “were clearly attracted to each other” (''ODNB''). But, alas, Delany also died at some point. Unbeknownst to us Mary had been doing art ever since she was a young woman. The ''Oxford Dictionary of National Biography'' sums up her efforts thusly: “Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''ODNB'').

	“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''ODNB'').

Pankratz at 11:49, 29 November 2013

2013-11-29T11:49:34Z

← Older revision		Revision as of 11:49, 29 November 2013
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	1700-1788. Born Mary Granville; after first marriage became Mary Pendarves; after second marriage Mary Delany. British artist.		1700-1788. Born Mary Granville; after first marriage became Mary Pendarves; after second marriage Mary Delany. British artist.

	The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''ODNB'') and was clever at “drawing, cutting and design” (''ODNB''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[George ~~Frederick~~ Handel]] with whom she stayed in contact for the rest of her life (Dewes).		The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''ODNB'') and was clever at “drawing, cutting and design” (''ODNB''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[George Frideric Handel]] with whom she stayed in contact for the rest of her life (Dewes).

	In September 1717 Mary was invited to join the Lansdowne household at Longleast, where she met her first future husband [[Alexander Pendarves]] of Roscrow (1660-1725) who at this time was already 57 years old and a wealthy and childless gentleman and friend of her uncle. His wish for an “heir to furthering his political alliance” (''ODNB'') made him propose to Mary and because her family was “dependent on her uncle’s generosity” (''ODNB''), Mary accepted it.		In September 1717 Mary was invited to join the Lansdowne household at Longleast, where she met her first future husband [[Alexander Pendarves]] of Roscrow (1660-1725) who at this time was already 57 years old and a wealthy and childless gentleman and friend of her uncle. His wish for an “heir to furthering his political alliance” (''ODNB'') made him propose to Mary and because her family was “dependent on her uncle’s generosity” (''ODNB''), Mary accepted it.

Pankratz at 11:48, 29 November 2013

2013-11-29T11:48:44Z

← Older revision		Revision as of 11:48, 29 November 2013
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	*1700 ~~†1788, [born '''~~Granville~~'''~~; first marriage ~~'''~~Mary Pendarves~~'''~~; second marriage ~~'''~~Mary Delany~~'''] was a~~ British artist ~~and very involved into the court~~.		1700-1788. Born Mary Granville; after first marriage became Mary Pendarves; after second marriage Mary Delany. British artist.

	The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''~~Oxford Dictionary of National Biography~~'') and was clever at “drawing, cutting and design”(''~~Oxford Dictionary of National Biography~~''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[Handel]] with whom she stayed in contact for the rest of her life (~~''cf.~~ Dewes ~~1940''~~).		The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''ODNB'') and was clever at “drawing, cutting and design” (''ODNB''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[George Frederick Handel]] with whom she stayed in contact for the rest of her life (Dewes).

	In September 1717 Mary was invited to join the Lansdowne household at Longleast, where she met her first future husband [[Alexander Pendarves of Roscrow]] (1660-1725) who at this time was already 57 years old and a wealthy and childless ~~Gentleman~~ and friend of her uncle. His wish for an “heir to furthering his political alliance” (''~~Oxford Dictionary of National Biography~~'') made him ~~proposing~~ to Mary and because her family was “dependent on her uncle’s generosity” (''~~Oxford Dictionary of National Biography~~''), Mary ~~had to accept~~ it.		In September 1717 Mary was invited to join the Lansdowne household at Longleast, where she met her first future husband [[Alexander Pendarves]] of Roscrow (1660-1725) who at this time was already 57 years old and a wealthy and childless gentleman and friend of her uncle. His wish for an “heir to furthering his political alliance” (''ODNB'') made him propose to Mary and because her family was “dependent on her uncle’s generosity” (''ODNB''), Mary accepted it.

	It was a very unhappy marriage for both spouses and Mary had to live totally isolated from her family and friends because of the jealousy of her husband. Even when they moved back to London, his sister had to keep an eye on her, however she could finally see her beloved ones. The domestic control ended when Pendarves died unexpected in 1725.		It was a very unhappy marriage for both spouses and Mary had to live totally isolated from her family and friends because of the jealousy of her husband. Even when they moved back to London, his sister had to keep an eye on her, however she could finally see her beloved ones. The domestic control ended when Pendarves died unexpected in 1725.
	During her widowhood she wrote many letters to her friends, her mother and her sister so that there was a great collection of them; “her autobiographical fragment, in the form of letters to the duchess, was written about 1740”(''Oxford Dictionary of National Biography'').

	~~Her second husband~~ was the ~~Irish Anglican cleric [[Patrick Delany]](1685/6–1768) and this time both partners “were clearly attracted~~ to ~~each other”~~ (''~~Oxford Dictionary of National Biography~~'').		During her widowhood she wrote many letters to her friends, her mother and her sister so that there was a great collection of them; “her autobiographical fragment, in the form of letters to the duchess, was written about 1740” (''ODNB'').

	“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''~~Oxford Dictionary of National Biography~~'').		Her second husband was the Irish Anglican cleric Patrick Delany (1685/6–1768) and this time both partners “were clearly attracted to each other” (''ODNB''). But, alas, Delany also died at some point. Mary then took to doing art.

			“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''ODNB'').


	== Bibliography ==		== Bibliography ==

	Dewes, Simon. ''Mrs. Delany'' (London: Rich & Cowan~~, Ltd~~, 1989~~).p 22~~.		Dewes, Simon. ''Mrs. Delany''. London: Rich & Cowan, 1989.

	''Oxford Dictionary of National Biography'' http://www.oxforddnb.com/view/article/7442		''Oxford Dictionary of National Biography'' (ODNB) [http://www.oxforddnb.com/view/article/7442
			]

Kaje at 21:07, 28 November 2013

2013-11-28T21:07:33Z

← Older revision		Revision as of 21:07, 28 November 2013
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	“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''Oxford Dictionary of National Biography'').		“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''Oxford Dictionary of National Biography'').


			== Bibliography ==

			Dewes, Simon. ''Mrs. Delany'' (London: Rich & Cowan, Ltd, 1989).p 22.

			''Oxford Dictionary of National Biography'' http://www.oxforddnb.com/view/article/7442

Kaje at 21:03, 28 November 2013

2013-11-28T21:03:38Z

← Older revision		Revision as of 21:03, 28 November 2013
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	1700-~~1788~~		*1700 †1788, [born '''Granville'''; first marriage '''Mary Pendarves'''; second marriage '''Mary Delany'''] was a British artist and very involved into the court.

			The daughter of Bernard Granville and Mary Westcomb was born in Coulston, Wiltshire in 1700. Mary was not only very well educated and mastered French fluently, history, English literature and the classics. She also was a good musician, a “superb needlewoman” (''Oxford Dictionary of National Biography'') and was clever at “drawing, cutting and design”(''Oxford Dictionary of National Biography''). She was sent to live with her childless aunt Lady Stanley, where she also met the famous composer [[Handel]] with whom she stayed in contact for the rest of her life (''cf. Dewes 1940'').

			In September 1717 Mary was invited to join the Lansdowne household at Longleast, where she met her first future husband [[Alexander Pendarves of Roscrow]] (1660-1725) who at this time was already 57 years old and a wealthy and childless Gentleman and friend of her uncle. His wish for an “heir to furthering his political alliance” (''Oxford Dictionary of National Biography'') made him proposing to Mary and because her family was “dependent on her uncle’s generosity” (''Oxford Dictionary of National Biography''), Mary had to accept it.

			It was a very unhappy marriage for both spouses and Mary had to live totally isolated from her family and friends because of the jealousy of her husband. Even when they moved back to London, his sister had to keep an eye on her, however she could finally see her beloved ones. The domestic control ended when Pendarves died unexpected in 1725.
			During her widowhood she wrote many letters to her friends, her mother and her sister so that there was a great collection of them; “her autobiographical fragment, in the form of letters to the duchess, was written about 1740”(''Oxford Dictionary of National Biography'').

			Her second husband was the Irish Anglican cleric [[Patrick Delany]](1685/6–1768) and this time both partners “were clearly attracted to each other” (''Oxford Dictionary of National Biography'').

			“Although the flower collages were Delany's major work of art, she left other evidence of her talents. She designed and embroidered panels for clothing, chair covers, bed hangings and coverings, and other furnishings. She was a fine copyist of paintings, a maker of silhouettes, and a creative crafter of shellwork” (''Oxford Dictionary of National Biography'').

Kaje: Created page with "1700-1788"

2013-11-21T13:54:27Z

Created page with "1700-1788"

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1700-1788