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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Lord_Chamberlain</id>
	<title>Lord Chamberlain - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;action=history"/>
	<updated>2026-05-11T18:30:51Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=12020&amp;oldid=prev</id>
		<title>WikiSysop at 09:01, 17 January 2018</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=12020&amp;oldid=prev"/>
		<updated>2018-01-17T09:01:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:01, 17 January 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Elizabteh &lt;/del&gt;I|Elizabethan]] times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the [[Restoration]] period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the [[Stage Licensing Act|Licensing Act of 1737]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Elizabeth &lt;/ins&gt;I|Elizabethan]] times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the [[Restoration]] period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the [[Stage Licensing Act|Licensing Act of 1737]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Source:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Source:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=12019&amp;oldid=prev</id>
		<title>WikiSysop at 09:00, 17 January 2018</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=12019&amp;oldid=prev"/>
		<updated>2018-01-17T09:00:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:00, 17 January 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the [[Stage Licensing Act|Licensing Act of 1737]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Elizabteh I|&lt;/ins&gt;Elizabethan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Restoration&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the [[Stage Licensing Act|Licensing Act of 1737]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &quot;Dramatic Censorship&quot;, in: Robert D. Hume, ed., &#039;&#039;The London Theatre World&#039;&#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;Source:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Winton, Calhoun (1980), &quot;Dramatic Censorship&quot;, in: Robert D. Hume, ed., &#039;&#039;The London Theatre World&#039;&#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=11781&amp;oldid=prev</id>
		<title>WikiSysop at 23:30, 22 December 2017</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=11781&amp;oldid=prev"/>
		<updated>2017-12-22T23:30:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:30, 22 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the Licensing Act of 1737.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;[[sinecure]]&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Stage Licensing Act|&lt;/ins&gt;Licensing Act of 1737&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=11780&amp;oldid=prev</id>
		<title>WikiSysop at 23:29, 22 December 2017</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=11780&amp;oldid=prev"/>
		<updated>2017-12-22T23:29:02Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:29, 22 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the Licensing Act of 1737.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;sinecure&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain and was re-inforced by the Licensing Act of 1737.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=4165&amp;oldid=prev</id>
		<title>Pankratz at 10:42, 26 January 2010</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=4165&amp;oldid=prev"/>
		<updated>2010-01-26T10:42:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:42, 26 January 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Master of the Revels|Masters of the Revel]]s saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and was re-inforced by the Licensing Act of 1737&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1729&amp;oldid=prev</id>
		<title>WikiSysop at 23:09, 30 April 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1729&amp;oldid=prev"/>
		<updated>2009-04-30T23:09:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:09, 30 April 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[Masters of the Revel]]s saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Master of the Revels|&lt;/ins&gt;Masters of the Revel]]s saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1720&amp;oldid=prev</id>
		<title>Pankratz at 15:46, 30 April 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1720&amp;oldid=prev"/>
		<updated>2009-04-30T15:46:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:46, 30 April 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the Masters of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Revels &lt;/del&gt;saw their job as &quot;sinecure&quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(and they were theatre owners at the same time)&lt;/del&gt;, in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Masters of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Revel]]s &lt;/ins&gt;saw their job as &quot;sinecure&quot;, in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1671&amp;oldid=prev</id>
		<title>Pankratz at 16:09, 23 April 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1671&amp;oldid=prev"/>
		<updated>2009-04-23T16:09:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:09, 23 April 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &amp;#039;&amp;#039;de jure&amp;#039;&amp;#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the Masters of the Revels saw their job as &amp;quot;sinecure&amp;quot; (and they were theatre owners at the same time), in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &amp;#039;&amp;#039;de jure&amp;#039;&amp;#039; the central institution for the censorship of plays. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the Masters of the Revels saw their job as &amp;quot;sinecure&amp;quot; (and they were theatre owners at the same time), in the 18th century, the authority for censorship went back to the Lord Chamberlain.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Source: Winton, Calhoun (1980), &amp;quot;Dramatic Censorship&amp;quot;, in: Robert D. Hume, ed., &amp;#039;&amp;#039;The London Theatre World&amp;#039;&amp;#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1670&amp;oldid=prev</id>
		<title>Pankratz at 16:08, 23 April 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1670&amp;oldid=prev"/>
		<updated>2009-04-23T16:08:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:08, 23 April 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &#039;&#039;de jure&#039;&#039; the central institution for the censorship of plays&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. In the Restoration period, the post of the Master of the Revels dealt with questions of censorship. As most of the Masters of the Revels saw their job as &quot;sinecure&quot; (and they were theatre owners at the same time), in the 18th century, the authority for censorship went back to the Lord Chamberlain. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Source: Winton, Calhoun (1980), &quot;Dramatic Censorship&quot;, in: Robert D. Hume, ed., &#039;&#039;The London Theatre World&#039;&#039;, Carbondale/Edwardsville: Southern Illinois University Press, 286-308&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1620&amp;oldid=prev</id>
		<title>Pankratz at 12:55, 16 January 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Lord_Chamberlain&amp;diff=1620&amp;oldid=prev"/>
		<updated>2009-01-16T12:55:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:55, 16 January 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was de jure the central institution for the censorship of plays.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;a member of the Royal Household. In the Elizabethan times, the Lord Chamberlain was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;de jure&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;the central institution for the censorship of plays.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
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