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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Henry_Sweet</id>
	<title>Henry Sweet - Revision history</title>
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	<updated>2026-05-11T19:57:50Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=8074&amp;oldid=prev</id>
		<title>Pankratz at 11:53, 13 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=8074&amp;oldid=prev"/>
		<updated>2012-06-13T11:53:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:53, 13 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;15 January 1845, London, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;England; † &lt;/del&gt;30 April 1912, Oxford&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, England&lt;/del&gt;. Nineteenth-century philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;15 January 1845, London, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/ins&gt;30 April 1912, Oxford. Nineteenth-century philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Pankratz</name></author>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6282&amp;oldid=prev</id>
		<title>Pankratz at 11:58, 17 January 2011</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6282&amp;oldid=prev"/>
		<updated>2011-01-17T11:58:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:58, 17 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Henry Sweet&#039;&#039;&#039; (&lt;/del&gt;* 15 January 1845, London, England; † 30 April 1912, Oxford, England&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/del&gt;. Nineteenth-century philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* 15 January 1845, London, England; † 30 April 1912, Oxford, England. Nineteenth-century philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Life and education===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Life and education===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet was born in London, where he received his education at King&#039;s College School in Wimbledon. Apparently, there are only very few private details of his life recorded. One source states that Henry Sweet might have suffered from congenital short-sightedness, which isolated him socially (Wainger 558). Details like this, however, are mostly omitted in texts about Sweet, probably due to the fact that they are of very little significance. Between 1863 and 1864, he studied at the University of Heidelberg, Germany. After that year, he went back to London and worked in the office of a trading company. In 1869, he entered Balliol College in Oxford and graduated four years later in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;literae &lt;/del&gt;humaniores&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet was born in London, where he received his education at King&#039;s College School in Wimbledon. Apparently, there are only very few private details of his life recorded. One source states that Henry Sweet might have suffered from congenital short-sightedness, which isolated him socially (Wainger 558). Details like this, however, are mostly omitted in texts about Sweet, probably due to the fact that they are of very little significance. Between 1863 and 1864, he studied at the University of Heidelberg, Germany. After that year, he went back to London and worked in the office of a trading company. In 1869, he entered Balliol College in Oxford and graduated four years later in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;litterae &lt;/ins&gt;humaniores&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet became president of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Philological Society&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;from 1875-76 and from 1877-78 (Marshall 3). Later on, he became President of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;International Phonetic Association&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;from 1887 until his death. In 1901 he obtained a full-time post as reader in phonetics at Oxford University.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet became president of the Philological Society from 1875-76 and from 1877-78 (Marshall 3). Later on, he became President of the International Phonetic Association from 1887 until his death. In 1901 he obtained a full-time post as reader in phonetics at Oxford University.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet died in 1912 in Oxford.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet died in 1912 in Oxford.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet&amp;#039;s most important work probably is the &amp;#039;&amp;#039;Handbook of Phonetics&amp;#039;&amp;#039; in which he presents a method to transcribe the sounds of a language most exactly. He mainly based the symbols he used to represent speech sounds on the Latin alphabet and added, whenever necessary, new symbols, which he, for instance, took from Old English.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet&amp;#039;s most important work probably is the &amp;#039;&amp;#039;Handbook of Phonetics&amp;#039;&amp;#039; in which he presents a method to transcribe the sounds of a language most exactly. He mainly based the symbols he used to represent speech sounds on the Latin alphabet and added, whenever necessary, new symbols, which he, for instance, took from Old English.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet has probably played an important role for the development of the teaching of languages, as well, and was “the prime originator of an applied linguistic approach” to it (Howatt 180). However, this part of his work is less widely known than his work on phonetic notation (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ib&lt;/del&gt;.)   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Henry Sweet has probably played an important role for the development of the teaching of languages, as well, and was “the prime originator of an applied linguistic approach” to it (Howatt 180). However, this part of his work is less widely known than his work on phonetic notation (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ibid&lt;/ins&gt;.)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet is named as one of the developers of the first version of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;International Phonetic Alphabet&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;in the late nineteenth century (McArthur “IPA”), more precisely he created the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Romic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;alphabet&#039;&#039;&lt;/del&gt;, the direct ancestor of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;IPA&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sweet is named as one of the developers of the first version of the International Phonetic Alphabet in the late nineteenth century (McArthur “IPA”), more precisely he created the Romic &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Alphabet&lt;/ins&gt;, the direct ancestor of the IPA.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In his function as the president of the Philological Society, Sweet was also deeply involved in the history of the &amp;#039;&amp;#039;Oxford English Dictionary&amp;#039;&amp;#039; (Howatt 179).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In his function as the president of the Philological Society, Sweet was also deeply involved in the history of the &amp;#039;&amp;#039;Oxford English Dictionary&amp;#039;&amp;#039; (Howatt 179).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While some sources state that the fictional character of Professor Higgins in [[George Bernard Shaw|Shaw&#039;s]] &#039;&#039;Pygmalion&#039;&#039; is based on Henry Sweet, Shaw himself clearly negates this in the preface of the play (Manis 6). However, he writes that &quot;there are touches of Sweet in the play&quot; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ib&lt;/del&gt;.).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While some sources state that the fictional character of Professor Higgins in [[George Bernard Shaw|Shaw&#039;s]] &#039;&#039;Pygmalion&#039;&#039; is based on Henry Sweet, Shaw himself clearly negates this in the preface of the play (Manis 6). However, he writes that &quot;there are touches of Sweet in the play&quot; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ibid&lt;/ins&gt;.).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Some works by Sweet (chronologically)===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Some works by Sweet (chronologically)===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;A &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;handbook &lt;/del&gt;of Phonetics, including a Popular Exposition of the Principles of Spelling Reform&#039;&#039;. Oxford: Clarendon Press, 1877.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Handbook &lt;/ins&gt;of Phonetics, including a Popular Exposition of the Principles of Spelling Reform&#039;&#039;. Oxford: Clarendon Press, 1877.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“On the Practical Study of Language”, &amp;#039;&amp;#039;TPS&amp;#039;&amp;#039; 1882-84: 577-99.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“On the Practical Study of Language”, &amp;#039;&amp;#039;TPS&amp;#039;&amp;#039; 1882-84: 577-99.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Damousi, Joy / Deacon, Desley (eds.). &amp;#039;&amp;#039;Talking and Listening in the Age of Modernity. Essays on the History of Sound&amp;#039;&amp;#039;. Canberra: Australian National University E Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Damousi, Joy / Deacon, Desley (eds.). &amp;#039;&amp;#039;Talking and Listening in the Age of Modernity. Essays on the History of Sound&amp;#039;&amp;#039;. Canberra: Australian National University E Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Howatt, A. P. R.. &#039;&#039;A &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;history &lt;/del&gt;of English Language Teaching&#039;&#039;. Oxford: Oxford UP, 1984.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Howatt, A. P. R.. &#039;&#039;A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;History &lt;/ins&gt;of English Language Teaching&#039;&#039;. Oxford: Oxford UP, 1984.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Manis, Jim (ed.). &amp;#039;&amp;#039;Pygmalion&amp;#039;&amp;#039;. By George Bernard Shaw. E-book. Hazleton: Pennsylvania State University, 2004.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Manis, Jim (ed.). &amp;#039;&amp;#039;Pygmalion&amp;#039;&amp;#039;. By George Bernard Shaw. E-book. Hazleton: Pennsylvania State University, 2004.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Strazny, Philipp (ed.). “Sweet, Henry” from &amp;#039;&amp;#039;Encyclopedia of Linguistics&amp;#039;&amp;#039;, Vol. 2. New York / Oxon: Fitzroy Dearborn / Taylor &amp;amp; Francis, 2005.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Strazny, Philipp (ed.). “Sweet, Henry” from &amp;#039;&amp;#039;Encyclopedia of Linguistics&amp;#039;&amp;#039;, Vol. 2. New York / Oxon: Fitzroy Dearborn / Taylor &amp;amp; Francis, 2005.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Wainger, Bertrand M.. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Henry &lt;/del&gt;Sweet: Shaw&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Pygmalion” in &lt;/del&gt;&#039;&#039;Studies in Philology&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Vol. &lt;/del&gt;27&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, No. &lt;/del&gt;4 (Oct., 1930)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Chapel Hill: University of North Carolina Press&lt;/del&gt;, 558-572.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Wainger, Bertrand M.. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Henry &lt;/ins&gt;Sweet: Shaw&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Pygmalion&#039;&#039;&quot;, &lt;/ins&gt;&#039;&#039;Studies in Philology&#039;&#039; 27&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;:&lt;/ins&gt;4 (Oct., 1930), 558-572.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6275&amp;oldid=prev</id>
		<title>Gehlhaar at 12:55, 16 January 2011</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6275&amp;oldid=prev"/>
		<updated>2011-01-16T12:55:10Z</updated>

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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Henry Sweet&#039;&#039;&#039; (15 January 1845, London, England &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/del&gt;30 April 1912, Oxford, England). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;English &lt;/del&gt;philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Henry Sweet&#039;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;15 January 1845, London, England&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; † &lt;/ins&gt;30 April 1912, Oxford, England). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nineteenth-century &lt;/ins&gt;philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&#039;s]] play &#039;&#039;Pygmalion&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Gehlhaar</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6274&amp;oldid=prev</id>
		<title>Gehlhaar: Created page with &#039;&#039;&#039;&#039;Henry Sweet&#039;&#039;&#039; (15 January 1845, London, England – 30 April 1912, Oxford, England). English philologist, grammarian and phonetician. One of the founders and president of the…&#039;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Henry_Sweet&amp;diff=6274&amp;oldid=prev"/>
		<updated>2011-01-16T12:52:39Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;&amp;#039;&amp;#039;&amp;#039;Henry Sweet&amp;#039;&amp;#039;&amp;#039; (15 January 1845, London, England – 30 April 1912, Oxford, England). English philologist, grammarian and phonetician. One of the founders and president of the…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Henry Sweet&amp;#039;&amp;#039;&amp;#039; (15 January 1845, London, England – 30 April 1912, Oxford, England). English philologist, grammarian and phonetician. One of the founders and president of the International Phonetic Association. A pioneer in modern scientific phonetics. Sometimes regarded as the man who “taught phonetics to Europe and made England the birthplace of the modern science” (Howatt 181).  Sweet is often believed to have been, at least partly, the model for Professor Higgins in G. B. [[George Bernard Shaw|Shaw&amp;#039;s]] play &amp;#039;&amp;#039;Pygmalion&amp;#039;&amp;#039;.&lt;br /&gt;
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===Life and education===&lt;br /&gt;
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Henry Sweet was born in London, where he received his education at King&amp;#039;s College School in Wimbledon. Apparently, there are only very few private details of his life recorded. One source states that Henry Sweet might have suffered from congenital short-sightedness, which isolated him socially (Wainger 558). Details like this, however, are mostly omitted in texts about Sweet, probably due to the fact that they are of very little significance. Between 1863 and 1864, he studied at the University of Heidelberg, Germany. After that year, he went back to London and worked in the office of a trading company. In 1869, he entered Balliol College in Oxford and graduated four years later in &amp;#039;&amp;#039;literae humaniores&amp;#039;&amp;#039;.&lt;br /&gt;
Sweet became president of the &amp;#039;&amp;#039;Philological Society&amp;#039;&amp;#039; from 1875-76 and from 1877-78 (Marshall 3). Later on, he became President of the &amp;#039;&amp;#039;International Phonetic Association&amp;#039;&amp;#039; from 1887 until his death. In 1901 he obtained a full-time post as reader in phonetics at Oxford University. &lt;br /&gt;
Henry Sweet died in 1912 in Oxford.&lt;br /&gt;
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===Work, significance and reputation===&lt;br /&gt;
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Sweet&amp;#039;s most important work probably is the &amp;#039;&amp;#039;Handbook of Phonetics&amp;#039;&amp;#039; in which he presents a method to transcribe the sounds of a language most exactly. He mainly based the symbols he used to represent speech sounds on the Latin alphabet and added, whenever necessary, new symbols, which he, for instance, took from Old English. &lt;br /&gt;
Henry Sweet has probably played an important role for the development of the teaching of languages, as well, and was “the prime originator of an applied linguistic approach” to it (Howatt 180). However, this part of his work is less widely known than his work on phonetic notation (ib.)  &lt;br /&gt;
Sweet is named as one of the developers of the first version of the &amp;#039;&amp;#039;International Phonetic Alphabet&amp;#039;&amp;#039; in the late nineteenth century (McArthur “IPA”), more precisely he created the &amp;#039;&amp;#039;Romic alphabet&amp;#039;&amp;#039;, the direct ancestor of the &amp;#039;&amp;#039;IPA&amp;#039;&amp;#039;.&lt;br /&gt;
In his function as the president of the Philological Society, Sweet was also deeply involved in the history of the &amp;#039;&amp;#039;Oxford English Dictionary&amp;#039;&amp;#039; (Howatt 179).&lt;br /&gt;
While some sources state that the fictional character of Professor Higgins in [[George Bernard Shaw|Shaw&amp;#039;s]] &amp;#039;&amp;#039;Pygmalion&amp;#039;&amp;#039; is based on Henry Sweet, Shaw himself clearly negates this in the preface of the play (Manis 6). However, he writes that &amp;quot;there are touches of Sweet in the play&amp;quot; (ib.).&lt;br /&gt;
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===Some works by Sweet (chronologically)===&lt;br /&gt;
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&amp;#039;&amp;#039;A handbook of Phonetics, including a Popular Exposition of the Principles of Spelling Reform&amp;#039;&amp;#039;. Oxford: Clarendon Press, 1877.&lt;br /&gt;
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“On the Practical Study of Language”, &amp;#039;&amp;#039;TPS&amp;#039;&amp;#039; 1882-84: 577-99. &lt;br /&gt;
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&amp;#039;&amp;#039;Elementarbuch des gesprochenen Englisch&amp;#039;&amp;#039;. Oxford: Clarendon Press, 1885.&lt;br /&gt;
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&amp;#039;&amp;#039;A Primer of Phonetics&amp;#039;&amp;#039;. Oxford: Clarendon Press, 1890.&lt;br /&gt;
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&amp;#039;&amp;#039;A New English Grammar&amp;#039;&amp;#039;. Two Volumes. Oxford: Clarendon Press, 1892, 1898.&lt;br /&gt;
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&amp;#039;&amp;#039;The Practical Study of Languages. A Guide for Teachers and Learners&amp;#039;&amp;#039;. London: Dent, 1899. Republished by Oxford University Press in 1964, edited by R. Mackin.&lt;br /&gt;
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===Bibliography===&lt;br /&gt;
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Christopher, David. &amp;#039;&amp;#039;British Culture: an Introduction&amp;#039;&amp;#039;. London: Routledge / Taylor &amp;amp; Francis, 1999.&lt;br /&gt;
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Damousi, Joy / Deacon, Desley (eds.). &amp;#039;&amp;#039;Talking and Listening in the Age of Modernity. Essays on the History of Sound&amp;#039;&amp;#039;. Canberra: Australian National University E Press, 2007.&lt;br /&gt;
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Howatt, A. P. R.. &amp;#039;&amp;#039;A history of English Language Teaching&amp;#039;&amp;#039;. Oxford: Oxford UP, 1984.&lt;br /&gt;
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Manis, Jim (ed.). &amp;#039;&amp;#039;Pygmalion&amp;#039;&amp;#039;. By George Bernard Shaw. E-book. Hazleton: Pennsylvania State University, 2004. &lt;br /&gt;
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McArthur, Tom. &amp;quot;SWEET, Henry.&amp;quot; &amp;#039;&amp;#039;Concise Oxford Companion to the English Language&amp;#039;&amp;#039;. 1998. Retrieved January 15, 2011 from &amp;#039;&amp;#039;Encyclopedia.com&amp;#039;&amp;#039;: http://www.encyclopedia.com/doc/1O29-SWEETHenry.html &lt;br /&gt;
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McArthur, Tom. &amp;quot;INTERNATIONAL PHONETIC ALPHABET.&amp;quot; &amp;#039;&amp;#039;Concise Oxford Companion to the English Language&amp;#039;&amp;#039;. 1998. &amp;#039;&amp;#039;Encyclopedia.com&amp;#039;&amp;#039;. 15 Jan. 2011 &amp;lt;http://www.encyclopedia.com&amp;gt;. &lt;br /&gt;
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Strazny, Philipp (ed.). “Sweet, Henry” from &amp;#039;&amp;#039;Encyclopedia of Linguistics&amp;#039;&amp;#039;, Vol. 2. New York / Oxon: Fitzroy Dearborn / Taylor &amp;amp; Francis, 2005. &lt;br /&gt;
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Wainger, Bertrand M.. “Henry Sweet: Shaw&amp;#039;s “Pygmalion” in &amp;#039;&amp;#039;Studies in Philology&amp;#039;&amp;#039;, Vol. 27, No. 4 (Oct., 1930), Chapel Hill: University of North Carolina Press, 558-572.&lt;/div&gt;</summary>
		<author><name>Gehlhaar</name></author>
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