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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Epistolary_Novel</id>
	<title>Epistolary Novel - Revision history</title>
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	<updated>2026-05-11T23:42:57Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4090&amp;oldid=prev</id>
		<title>Pankratz at 17:36, 22 January 2010</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4090&amp;oldid=prev"/>
		<updated>2010-01-22T17:36:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:36, 22 January 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Novels written in the form of letters (Latin: epistula, ae = letter). &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;They &lt;/del&gt;very much emphasise the subjectivity of the character(s), which means they deal with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot; (Baldick). Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Epistolary novels &lt;/ins&gt;very much emphasise the subjectivity of the character(s), which means they deal with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot; (Baldick). Special about the epistolary novel is the fact that neither the characters nor the reader &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ideally &lt;/ins&gt;know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the [[Enlightenment]] and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if they contained a very sentimental and emotional topic which was well expressed. Samuel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Johnson&lt;/del&gt;, for example, published sample letters (&#039;&#039;Letter written to and for Particular Friends on Important occasions&#039;&#039;) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the [[Enlightenment]] and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if they contained a very sentimental and emotional topic which was well expressed. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Samuel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Richardson]]&lt;/ins&gt;, for example, published sample letters (&#039;&#039;Letter written to and for Particular Friends on Important occasions&#039;&#039;) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Very popular English epistolary novels are &#039;&#039;Pamela, or Virtue Rewarded&#039;&#039; and &#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;, both written by [[Samuel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Johnson&lt;/del&gt;]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;individiual &lt;/del&gt;in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Very popular English epistolary novels are &#039;&#039;Pamela, or Virtue Rewarded&#039;&#039; and &#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;, both written by [[Samuel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Richardson&lt;/ins&gt;]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;individual &lt;/ins&gt;in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Oxford Concise Dictionary of Literary Terms&amp;#039;&amp;#039;, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; &amp;#039;&amp;#039;The Bredford Glossary of Critical and Literary Terms&amp;#039;&amp;#039;, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, &amp;#039;&amp;#039;Sachwörterbuch der Literatur&amp;#039;&amp;#039;, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Oxford Concise Dictionary of Literary Terms&amp;#039;&amp;#039;, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; &amp;#039;&amp;#039;The Bredford Glossary of Critical and Literary Terms&amp;#039;&amp;#039;, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, &amp;#039;&amp;#039;Sachwörterbuch der Literatur&amp;#039;&amp;#039;, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4089&amp;oldid=prev</id>
		<title>Pankratz at 17:34, 22 January 2010</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4089&amp;oldid=prev"/>
		<updated>2010-01-22T17:34:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:34, 22 January 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter). &lt;/del&gt;They very much emphasise the subjectivity of the character(s), which means they deal with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot; (Baldick). Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;They very much emphasise the subjectivity of the character(s), which means they deal with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot; (Baldick). Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4072&amp;oldid=prev</id>
		<title>LEA at 13:10, 20 January 2010</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4072&amp;oldid=prev"/>
		<updated>2010-01-20T13:10:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:10, 20 January 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the [[Enlightenment]] and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if they contained a very sentimental and emotional topic which was well expressed. Samuel Johnson, for example, published sample letters (&amp;#039;&amp;#039;Letter written to and for Particular Friends on Important occasions&amp;#039;&amp;#039;) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the [[Enlightenment]] and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if they contained a very sentimental and emotional topic which was well expressed. Samuel Johnson, for example, published sample letters (&amp;#039;&amp;#039;Letter written to and for Particular Friends on Important occasions&amp;#039;&amp;#039;) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Very popular English epistolary novels are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;&#039;&#039;Pamela, or Virtue Rewarded&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;&#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, both written by [[Samuel Johnson]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the individiual in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Very popular English epistolary novels are &#039;&#039;Pamela, or Virtue Rewarded&#039;&#039; and &#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;, both written by [[Samuel Johnson]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the individiual in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Oxford Concise Dictionary of Literary Terms&amp;#039;&amp;#039;, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; &amp;#039;&amp;#039;The Bredford Glossary of Critical and Literary Terms&amp;#039;&amp;#039;, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, &amp;#039;&amp;#039;Sachwörterbuch der Literatur&amp;#039;&amp;#039;, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Oxford Concise Dictionary of Literary Terms&amp;#039;&amp;#039;, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; &amp;#039;&amp;#039;The Bredford Glossary of Critical and Literary Terms&amp;#039;&amp;#039;, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, &amp;#039;&amp;#039;Sachwörterbuch der Literatur&amp;#039;&amp;#039;, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>LEA</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4071&amp;oldid=prev</id>
		<title>LEA at 13:09, 20 January 2010</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4071&amp;oldid=prev"/>
		<updated>2010-01-20T13:09:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:09, 20 January 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Epistolary Novel &amp;lt;p&amp;gt; Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter) &amp;lt;br&amp;gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; It &lt;/del&gt;very much &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;emphasises &lt;/del&gt;the subjectivity of the character(s), which means &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it deals &lt;/del&gt;with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot;. Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter). They &lt;/ins&gt;very much &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;emphasise &lt;/ins&gt;the subjectivity of the character(s), which means &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;they deal &lt;/ins&gt;with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &#039;plot&#039; is either structured &quot;through an exchange of letters between multiple characters or through the correspondence of only one character&quot; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Baldick)&lt;/ins&gt;. Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p&amp;gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Origin ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;enlightenment &lt;/del&gt;and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it &lt;/del&gt;contained a very sentimental and emotional topic which was well expressed. Samuel Johnson, for example, published sample letters (Letter written to and for Particular Friends on Important occasions) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Enlightenment]] &lt;/ins&gt;and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;they &lt;/ins&gt;contained a very sentimental and emotional topic which was well expressed. Samuel Johnson, for example, published sample letters (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Letter written to and for Particular Friends on Important occasions&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Examples ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Very popular English epistolary novels are &#039;&#039;Pamela, or Virtue Rewarded&#039;&#039; and &#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;, both written by [[Samuel Johnson]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the individiual in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Very popular English epistolary novels are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;&#039;&#039;Pamela, or Virtue Rewarded&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;&#039;&#039;Clarissa; or the story of a Young Lady&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, both written by [[Samuel Johnson]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &#039;&#039;Die Leiden des jungen Werther&#039;&#039;. They did also focus on the sentiment and the emotional struggles of the individiual in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Oxford Concise Dictionary of Literary Terms, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; The Bredford Glossary of Critical and Literary Terms, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, Sachwörterbuch der Literatur, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Oxford Concise Dictionary of Literary Terms&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Bredford Glossary of Critical and Literary Terms&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Sachwörterbuch der Literatur&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>LEA</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4070&amp;oldid=prev</id>
		<title>LEA: Created page with &#039;Epistolary Novel &lt;p&gt; Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter) &lt;br&gt;  == Style ==  It very much emphasises the subjectivity of the…&#039;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Epistolary_Novel&amp;diff=4070&amp;oldid=prev"/>
		<updated>2010-01-20T13:03:42Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;Epistolary Novel &amp;lt;p&amp;gt; Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter) &amp;lt;br&amp;gt;  == Style ==  It very much emphasises the subjectivity of the…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Epistolary Novel &amp;lt;p&amp;gt; Epistolary novels are novels written in the form of letters (Latin: epistula, ae = letter) &amp;lt;br&amp;gt; &lt;br /&gt;
== Style ==&lt;br /&gt;
 It very much emphasises the subjectivity of the character(s), which means it deals with a lot of sentiments, feelings and emotions – the interiority of the characters. Therefore, the expression of the inner feelings is the main action. &amp;lt;br&amp;gt; The &amp;#039;plot&amp;#039; is either structured &amp;quot;through an exchange of letters between multiple characters or through the correspondence of only one character&amp;quot;. Special about the epistolary novel is the fact that neither the characters nor the reader know about the outcome of the action.&lt;br /&gt;
These novels might also include extracts from the characters‘ journals, a preface and epilogue of a pretended editor to arouse the impression of authenticity and reality. &amp;lt;p&amp;gt; &lt;br /&gt;
== Origin ==&lt;br /&gt;
 Epistolary novels derive from many different sources (e.g. love romances) but the main factor for their popularity in the 18th century was the sentimental stream of the enlightenment and the idea about letters in general. They were not seen as a private affair, as we regard them nowadays but were often read out to the whole family and other friends if it contained a very sentimental and emotional topic which was well expressed. Samuel Johnson, for example, published sample letters (Letter written to and for Particular Friends on Important occasions) to teach the way of how to write a letter properly. &amp;lt;p&amp;gt; &lt;br /&gt;
== Examples ==&lt;br /&gt;
 Very popular English epistolary novels are &amp;#039;&amp;#039;Pamela, or Virtue Rewarded&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Clarissa; or the story of a Young Lady&amp;#039;&amp;#039;, both written by [[Samuel Johnson]]. On the continent, especially in Germany, epistolary novels became very popular after Goethe had written &amp;#039;&amp;#039;Die Leiden des jungen Werther&amp;#039;&amp;#039;. They did also focus on the sentiment and the emotional struggles of the individiual in connection with society. &amp;lt;br&amp;gt; &amp;lt;br&amp;gt; &lt;br /&gt;
== Sources ==&lt;br /&gt;
The Oxford Concise Dictionary of Literary Terms, ed. by Chris Baldick, Oxford University Press, NY 2001. &amp;lt;br&amp;gt; The Bredford Glossary of Critical and Literary Terms, 2nd edition, Ross Murphin and Supryin M. Ray, Boston 2003. &amp;lt;br&amp;gt; Gero von Wilpert, Sachwörterbuch der Literatur, 8. Auflage, Stuttgart, Kröner 2001.&lt;/div&gt;</summary>
		<author><name>LEA</name></author>
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