Bloomsbury Group - Revision history

Pankratz at 13:20, 10 December 2015

2015-12-10T13:20:30Z

← Older revision		Revision as of 13:20, 10 December 2015
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	Not really an organised "group" group, but a circle of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Thoby, Vanessa and Virginia Stephens.		Not really an organised "group" group, but a circle of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Thoby, [[Vanessa Bell\|Vanessa]] and [[Virginia Woolf\|Virginia Stephens]].

	Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of Thoby, Virginia and Vanessa Stephen, who had moved there after their father had died ~~(and who were to become famous as [[Vanessa Bell]] and [[Virginia Woolf]])~~. They were visited by friends and talked about art, politics, sex and literature. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: [[John Maynard Keynes]], [[Leonard Woolf]], Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], [[Roger Fry]], Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].		Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of Thoby, Virginia and Vanessa Stephen, who had moved there after their father had died. They were visited by friends and talked about art, politics, sex and literature. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: [[John Maynard Keynes]], [[Leonard Woolf]], Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], [[Roger Fry]], Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].

	There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).		There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).

	Some facts nevertheless can be considered as true: The group did not only discuss specific topics, but general moral and political matters. Furthermore, the group was influenced by the attitudes of G.E. Moore, who in his ''Principia Ethica'' wrote of “pleasures of human intercourse and the enjoyment of beautiful objects” (Drabble 112). On the other hand the Bloomsbury group can be regarded as of importance for the emergence of the avantgarde in art and literature in Britain. They objected to war and stood up for peace.		Some facts nevertheless can be considered as true: The group did not only discuss specific topics, but general moral and political matters. Furthermore, the group was influenced by the attitudes of G.E. Moore, who in his ''Principia Ethica'' wrote of “pleasures of human intercourse and the enjoyment of beautiful objects” (Drabble 112). On the other hand the Bloomsbury group can be regarded as of importance for the emergence of the avantgarde in art and literature in Britain. They objected to war and stood up for peace.
	The association was criticized for being combined of only elitist and privileged members, who were “preoccupied with neurotic personal relations” (Edel, 11). Others are less critical towards them and argue that the group not only criticized the prevailing conditions in society and politics but they also made an effort to improve them.
			The association was criticized for being combined of only elitist and privileged members, who were “preoccupied with neurotic personal relations” (Edel 11). Others are less critical towards them and argue that the group not only criticized the prevailing conditions in society and politics but they also made an effort to improve them.
	The most prosperous time for the Bloomsbury group seems to have been in the 1920s, but a revival was recorded in the late 1960s.		The most prosperous time for the Bloomsbury group seems to have been in the 1920s, but a revival was recorded in the late 1960s.

Pankratz at 13:50, 23 October 2015

2015-10-23T13:50:20Z

← Older revision		Revision as of 13:50, 23 October 2015
Line 1:		Line 1:
	Not really an organised "group" group, but a circle of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Thoby, Vanessa and Virginia Stephens.		Not really an organised "group" group, but a circle of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Thoby, Vanessa and Virginia Stephens.

	Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of Thoby, Virginia and Vanessa Stephen, who had moved there after their father had died (and who were to become famous as [[Vanessa Bell]] and [[Virginia Woolf]]). They were visited by friends and talked about art, politics, sex and literature. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: John Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].		Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of Thoby, Virginia and Vanessa Stephen, who had moved there after their father had died (and who were to become famous as [[Vanessa Bell]] and [[Virginia Woolf]]). They were visited by friends and talked about art, politics, sex and literature. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: [[John Maynard Keynes]], [[Leonard Woolf]], Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], [[Roger Fry]], Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].

	There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).		There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).

Pankratz at 13:34, 23 October 2015

2015-10-23T13:34:37Z

← Older revision		Revision as of 13:34, 23 October 2015
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	~~Group~~ of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa ~~Bell]]~~ and [[Virginia ~~Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]]~~.		Not really an organised "group" group, but a circle of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Thoby, Vanessa and Virginia Stephens.

	Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of ~~the sisters~~ Virginia and Vanessa Stephen, who ~~were still unmarried and~~ moved there after their father had died. ~~The Bloomsbury Group can be considered an informal association, which was connected~~ by ~~friendship~~ and ~~mutual interests in~~ art, politics, ~~literature and philosophy. Moreover they are said to have discussed then taboo topics, like~~ sex~~, open marriage~~ and ~~homosexuality~~. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].		Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of Thoby, Virginia and Vanessa Stephen, who had moved there after their father had died (and who were to become famous as [[Vanessa Bell]] and [[Virginia Woolf]]). They were visited by friends and talked about art, politics, sex and literature. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: John Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].

	There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).		There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).

WikiSysop at 13:35, 22 January 2012

2012-01-22T13:35:30Z

← Older revision		Revision as of 13:35, 22 January 2012
Line 1:		Line 1:
	Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].		Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].

	Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of the sisters Virginia and Vanessa Stephen, who were still unmarried and moved there after their father had died. The Bloomsbury Group can be considered an informal association, which was connected by friendship and mutual interests in art, politics, literature and philosophy. Moreover they are said to have discussed then taboo topics, like sex, open marriage and homosexuality. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M Forster]].		Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of the sisters Virginia and Vanessa Stephen, who were still unmarried and moved there after their father had died. The Bloomsbury Group can be considered an informal association, which was connected by friendship and mutual interests in art, politics, literature and philosophy. Moreover they are said to have discussed then taboo topics, like sex, open marriage and homosexuality. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M. Forster]].

	There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).		There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).
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	Sources:		Sources:

	Czarnecki, Kristin: "Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance". In: Potts, Gina/Lisa Shahriari (eds.): ''Virginia Woolf's Bloomsbury, Volume 1. Aesthetic Theory and Literary Practice''. Houndmills: Palgrave Macmillan, 2010. ~~Pages??~~		Czarnecki, Kristin: "Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance". In: Potts, Gina/Lisa Shahriari (eds.): ''Virginia Woolf's Bloomsbury, Volume 1. Aesthetic Theory and Literary Practice''. Houndmills: Palgrave Macmillan, 2010. 135-152.

	Drabble, Margaret (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.		Drabble, Margaret (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

	Edel, Leon: ''Bloomsbury. A House of Lions.'' London: The Hogarth Press, 1979.		Edel, Leon: ''Bloomsbury. A House of Lions.'' London: The Hogarth Press, 1979.

Pankratz at 17:38, 18 January 2012

2012-01-18T17:38:37Z

← Older revision		Revision as of 17:38, 18 January 2012
Line 1:		Line 1:
	Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].		Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].

	~~The Bloomsbury Group emerged between~~ 1905 and 1906~~. During that time~~ a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury~~, a part of London~~. The house was the home of the sisters Virginia and Vanessa Stephen, who were still unmarried and moved there after their father had died. The Bloomsbury Group can be considered an informal association, which was connected by friendship and mutual interests in art, politics, literature and philosophy. Moreover they are said to have discussed ~~more indecent~~ topics ~~at that time~~, like sex, open marriage and homosexuality. The exact number of members remains obscure, some consider the group to be ~~existing~~ of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, Lytton Strachey, Clive Bell, Desmond MacCarthy, Roger Fry, Vanessa Bell and Duncan Grant. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of E.M Forster.		Between 1905 and 1906 a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury. The house was the home of the sisters Virginia and Vanessa Stephen, who were still unmarried and moved there after their father had died. The Bloomsbury Group can be considered an informal association, which was connected by friendship and mutual interests in art, politics, literature and philosophy. Moreover they are said to have discussed then taboo topics, like sex, open marriage and homosexuality. The exact number of members remains obscure, some consider the group to be consisting of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, [[Lytton Strachey]], [[Clive Bell]], [[Desmond MacCarthy]], Roger Fry, Vanessa Bell and [[Duncan Grant]]. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of [[E.M Forster]].
	There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: ~~Was~~ the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble, 113).
	Some facts nevertheless can be considered as true: The group did not only discuss specific topics, but general moral and political matters. Furthermore, the group was influenced by the attitudes of G. E. Moore, who in his Principia Ethica wrote of ~~“‘pleasures~~ of human intercourse and the enjoyment of beautiful ~~objects’”~~ (Drabble, 112). On the other hand the Bloomsbury group can be regarded as of importance for the emergence of the avantgarde in art and literature in Britain. They objected war and stood up for peace.		There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble 113).

			Some facts nevertheless can be considered as true: The group did not only discuss specific topics, but general moral and political matters. Furthermore, the group was influenced by the attitudes of G.E. Moore, who in his ''Principia Ethica'' wrote of “pleasures of human intercourse and the enjoyment of beautiful objects” (Drabble 112). On the other hand the Bloomsbury group can be regarded as of importance for the emergence of the avantgarde in art and literature in Britain. They objected to war and stood up for peace.
	The association was criticized for being combined of only elitist and privileged members, who were “preoccupied with neurotic personal relations” (Edel, 11). Others are less critical towards them and argue that the group not only criticized the prevailing conditions in society and politics but they also made an effort to improve them.		The association was criticized for being combined of only elitist and privileged members, who were “preoccupied with neurotic personal relations” (Edel, 11). Others are less critical towards them and argue that the group not only criticized the prevailing conditions in society and politics but they also made an effort to improve them.
	The most prosperous time for the Bloomsbury group seems to have been in the 1920s, but a revival was recorded in the late 1960s.		The most prosperous time for the Bloomsbury group seems to have been in the 1920s, but a revival was recorded in the late 1960s.
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	Sources:		Sources:

	Czarnecki, Kristin: ''Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance.~~'' in~~: Potts, Gina/ Lisa Shahriari (ed.): ''Virginia Woolf's Bloomsbury, Volume 1. Aesthetic Theory and Literary Practice''. Houndmills: Palgrave Macmillan, 2010.		Czarnecki, Kristin: "Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance". In: Potts, Gina/Lisa Shahriari (eds.): ''Virginia Woolf's Bloomsbury, Volume 1. Aesthetic Theory and Literary Practice''. Houndmills: Palgrave Macmillan, 2010. Pages??

	Drabble, Margaret (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.		Drabble, Margaret (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

	Edel, Leon: ''Bloomsbury. A ~~house~~ of Lions.'' London: The Hogarth Press, 1979.		Edel, Leon: ''Bloomsbury. A House of Lions.'' London: The Hogarth Press, 1979.

Joey at 21:54, 17 January 2012

2012-01-17T21:54:32Z

← Older revision		Revision as of 21:54, 17 January 2012
Line 1:		Line 1:
	Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]]~~. The 1920s were the most prosperous time for the Bloomsbury Group. Politically they were left-liberally oriented~~.		Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].

			The Bloomsbury Group emerged between 1905 and 1906. During that time a mixed group of writers, artists and critics started to meet regularly at 46 Gordon Square in Bloomsbury, a part of London. The house was the home of the sisters Virginia and Vanessa Stephen, who were still unmarried and moved there after their father had died. The Bloomsbury Group can be considered an informal association, which was connected by friendship and mutual interests in art, politics, literature and philosophy. Moreover they are said to have discussed more indecent topics at that time, like sex, open marriage and homosexuality. The exact number of members remains obscure, some consider the group to be existing of only nine people, which Leon Edels calls “originals”. For him, these originals were: Maynard Keynes, Leonard Woolf, Virginia Woolf, Lytton Strachey, Clive Bell, Desmond MacCarthy, Roger Fry, Vanessa Bell and Duncan Grant. He does not deny that there were other more silent members but he questions the real membership of other artists and writers, for example that of E.M Forster.
			There is furthermore no real answer or consensus to the question, what Bloomsbury and the group really was. The group itself kept denying the fact that they indeed were one and there are many questions that are still open, like: Was the group Victorian or modern? Conventional or groundbreaking? But they definitely stood out for changes in society and revolted “against the artistic, social and sexual restrictions of Victorian society” (Drabble, 113).
			Some facts nevertheless can be considered as true: The group did not only discuss specific topics, but general moral and political matters. Furthermore, the group was influenced by the attitudes of G. E. Moore, who in his Principia Ethica wrote of “‘pleasures of human intercourse and the enjoyment of beautiful objects’” (Drabble, 112). On the other hand the Bloomsbury group can be regarded as of importance for the emergence of the avantgarde in art and literature in Britain. They objected war and stood up for peace.
			The association was criticized for being combined of only elitist and privileged members, who were “preoccupied with neurotic personal relations” (Edel, 11). Others are less critical towards them and argue that the group not only criticized the prevailing conditions in society and politics but they also made an effort to improve them.
			The most prosperous time for the Bloomsbury group seems to have been in the 1920s, but a revival was recorded in the late 1960s.

	~~Source:~~

	Margaret ~~Drabble~~ (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

			Sources:

			Czarnecki, Kristin: ''Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance.'' in: Potts, Gina/ Lisa Shahriari (ed.): ''Virginia Woolf's Bloomsbury, Volume 1. Aesthetic Theory and Literary Practice''. Houndmills: Palgrave Macmillan, 2010.

			Drabble, Margaret (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

			Edel, Leon: ''Bloomsbury. A house of Lions.'' London: The Hogarth Press, 1979.

Pankratz at 12:50, 17 January 2012

2012-01-17T12:50:42Z

← Older revision		Revision as of 12:50, 17 January 2012
Line 1:		Line 1:
	Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].		Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]]. The 1920s were the most prosperous time for the Bloomsbury Group. Politically they were left-liberally oriented.


	Source:		Source:

	Margaret Drabble (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.		Margaret Drabble (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

	~~The 1920s were the most prosperous time for the Bloomsbury Group. Politically they were left-liberally oriented~~.

Joey at 14:34, 15 January 2012

2012-01-15T14:34:20Z

← Older revision		Revision as of 14:34, 15 January 2012
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	Margaret Drabble (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.		Margaret Drabble (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

	~~[[Category:Expansion]]~~		The 1920s were the most prosperous time for the Bloomsbury Group. Politically they were left-liberally oriented.

Pankratz: Created page with 'Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Vanessa Bell and Virginia Woolf. Members of the group were John Maynard Keynes…'

2011-10-19T08:50:27Z

Created page with 'Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of Vanessa Bell and Virginia Woolf. Members of the group were John Maynard Keynes…'

New page

Group of friends who met regularly at 46 Gordon Square, Bloomsbury, London, the home of [[Vanessa Bell]] and [[Virginia Woolf]]. Members of the group were [[John Maynard Keynes]], [[E.M. Forster]] and [[Roger Fry]].

Source:

Margaret Drabble (ed.), ''Oxford Companion to English Literature'', Oxford: Oxford University Press, 1985.

[[Category:Expansion]]