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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Artist_Suffrage_League</id>
	<title>Artist Suffrage League - Revision history</title>
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	<updated>2026-05-11T23:56:25Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Artist_Suffrage_League&amp;diff=13192&amp;oldid=prev</id>
		<title>Pankratz at 15:18, 18 July 2021</title>
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		<updated>2021-07-18T15:18:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:18, 18 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Artist Suffrage League&#039;&#039;&#039; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Artist Suffrage League (ASL) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/ins&gt;founded in 1907 by Mary Lowndes in order to equip suffragists on demonstrations&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; with expressive “[…] posters, banners and postcards […].“&amp;lt;ref&amp;gt;Watson, N. J. &quot;Text and imagery in suffrage propaganda&#039;.&quot; Proceeds of Debating the Difference conference. 2007, p.10&amp;lt;/ref&amp;gt;  It was thus an organisation that operated under &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;feminist agenda by providing the suffragists with illustrations that supported them in their objective to attain equal rights for women in the early 20th century.&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; In technical terms the ASL remained an unofficial organisation: “The ASL does not appear to have had a formal structure; there is no suggestion that it had a constitution and no membership lists survive, if ever existed.“&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt; Amongst the artists of the ASL were Emily Ford, May H Barker, Dora Meeson Coates, Mary V. Wheelhouse.&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Artist Suffrage League (ASL) &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;had initially been &lt;/del&gt;founded in 1907 by Mary Lowndes in order to equip suffragists on demonstrations&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; with expressive &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;“[…] posters, banners and postcards […].“&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&amp;lt;ref&amp;gt;Watson, N. J. &quot;Text and imagery in suffrage propaganda&#039;.&quot; Proceeds of Debating the Difference conference. 2007, p.10&amp;lt;/ref&amp;gt;  It was thus an organisation that operated under feminist agenda by providing the suffragists with illustrations that supported them in their objective to attain equal rights for women in the early 20th century.&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; In technical terms the ASL remained an unofficial organisation: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;“The ASL does not appear to have had a formal structure; there is no suggestion that it had a constitution and no membership lists survive, if ever existed.“&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt; Amongst the artists of the ASL were Emily Ford, May H Barker, Dora Meeson Coates, Mary V. Wheelhouse.&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Example: Postcard&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Example: Postcard&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://www.vads.ac.uk/digital/collection/FSB/id/481/rec/1&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://www.vads.ac.uk/digital/collection/FSB/id/481/rec/1&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This postcard design was created by Mary Lowndes and ultimately published by the Artist Suffrage League. Its image alludes to the ‘Vaccination Exemption Act’ (1907)“&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; and thus emphasizes the obstacles and inequalities that women had to endure if they wanted to receive a vaccination while their husband was absent.&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; To paint postcards with social relevant imagery turned out to be important strategic measures that suffragists made use of. As Norman Watson describes: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;“[…] they were a potent new communication and propaganda tool.“&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&amp;lt;ref&amp;gt; Watson, N. J. &quot;Text and imagery in suffrage propaganda&#039;.&quot; Proceeds of Debating the Difference conference. 2007, p.4.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This postcard design was created by Mary Lowndes and ultimately published by the Artist Suffrage League. Its image alludes to the ‘Vaccination Exemption Act’ (1907)“&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; and thus emphasizes the obstacles and inequalities that women had to endure if they wanted to receive a vaccination while their husband was absent.&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; To paint postcards with social relevant imagery turned out to be important strategic measures that suffragists made use of. As Norman Watson describes: “[…] they were a potent new communication and propaganda tool.“&amp;lt;ref&amp;gt; Watson, N. J. &quot;Text and imagery in suffrage propaganda&#039;.&quot; Proceeds of Debating the Difference conference. 2007, p.4.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Artist_Suffrage_League&amp;diff=13191&amp;oldid=prev</id>
		<title>S.Jade: Created page with &quot;&#039;&#039;&#039;Artist Suffrage League&#039;&#039;&#039;   The Artist Suffrage League (ASL) had initially been founded in 1907 by Mary Lowndes in order to equip suffragists on demonstrations&lt;ref&gt; Crawfor...&quot;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Artist_Suffrage_League&amp;diff=13191&amp;oldid=prev"/>
		<updated>2021-07-14T10:13:45Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Artist Suffrage League&amp;#039;&amp;#039;&amp;#039;   The Artist Suffrage League (ASL) had initially been founded in 1907 by Mary Lowndes in order to equip suffragists on demonstrations&amp;lt;ref&amp;gt; Crawfor...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Artist Suffrage League&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
&lt;br /&gt;
The Artist Suffrage League (ASL) had initially been founded in 1907 by Mary Lowndes in order to equip suffragists on demonstrations&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&amp;#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; with expressive &amp;#039;&amp;#039;“[…] posters, banners and postcards […].“&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;Watson, N. J. &amp;quot;Text and imagery in suffrage propaganda&amp;#039;.&amp;quot; Proceeds of Debating the Difference conference. 2007, p.10&amp;lt;/ref&amp;gt;  It was thus an organisation that operated under feminist agenda by providing the suffragists with illustrations that supported them in their objective to attain equal rights for women in the early 20th century.&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&amp;#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt; In technical terms the ASL remained an unofficial organisation: &amp;#039;&amp;#039;“The ASL does not appear to have had a formal structure; there is no suggestion that it had a constitution and no membership lists survive, if ever existed.“&amp;#039;&amp;#039;&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt; Amongst the artists of the ASL were Emily Ford, May H Barker, Dora Meeson Coates, Mary V. Wheelhouse.&amp;lt;ref&amp;gt; Ibid. p.16. &amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Example: Postcard&amp;#039;&amp;#039; &lt;br /&gt;
&lt;br /&gt;
https://www.vads.ac.uk/digital/collection/FSB/id/481/rec/1&lt;br /&gt;
&lt;br /&gt;
This postcard design was created by Mary Lowndes and ultimately published by the Artist Suffrage League. Its image alludes to the ‘Vaccination Exemption Act’ (1907)“&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; and thus emphasizes the obstacles and inequalities that women had to endure if they wanted to receive a vaccination while their husband was absent.&amp;lt;ref&amp;gt; https://suffragepostcards.wordpress.com/tag/artists-suffrage-league/ &amp;lt;/ref&amp;gt; To paint postcards with social relevant imagery turned out to be important strategic measures that suffragists made use of. As Norman Watson describes: &amp;#039;&amp;#039;“[…] they were a potent new communication and propaganda tool.“&amp;#039;&amp;#039;&amp;lt;ref&amp;gt; Watson, N. J. &amp;quot;Text and imagery in suffrage propaganda&amp;#039;.&amp;quot; Proceeds of Debating the Difference conference. 2007, p.4.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Suffrage Atelier&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
The ASL had not been the only organisation that promoted suffragist sentiments through art. Women had dedicated themselves and their work to the foundation of the Suffrage Atelier.&amp;lt;ref&amp;gt; Ibid. p.10. &amp;lt;/ref&amp;gt; The main difference between the Artist Suffrage League and the Suffrage Atelier can be found in their work ethic. The Suffrage Atelier charged for the material with which they provided the Women’s Social and Political Union&amp;lt;ref&amp;gt; https://www.artbiogs.co.uk/2/organizations/artists-suffrage-league &amp;lt;/ref&amp;gt;, while the Artist Suffrage League worked for the National Union of Women’s Suffrage Societies exclusively and did so unremunerated.&amp;lt;ref&amp;gt; Crawford, Elizabeth. The women&amp;#039;s suffrage movement: a reference guide, 1866-1928. Psychology Press, 2001, p.16. &amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
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