https://el.rub.de/wiki/Brit-Cult/index.php?action=history&feed=atom&title=Aesthetic_movement 2026-05-12T01:06:58Z Revision history for this page on the wiki MediaWiki 1.43.0 https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=12987&oldid=prev 2020-12-16T21:07:12Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:07, 16 December 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] revival. Designers of the Aesthetic Movement <del style="font-weight: bold; text-decoration: none;">were fascinated by Japanese woodcuts and oriental art (''Japonisme''). Designers of the Aesthetic Movement were </del>for example the architect E.W. Godwin, Christopher Dresser and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leyland's flat in London in 1876/<del style="font-weight: bold; text-decoration: none;">77</del>. Today it is shown in the Freer Gallery in Washington.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] revival. Designers of the Aesthetic Movement <ins style="font-weight: bold; text-decoration: none;">- </ins>for example the architect E.W. Godwin, Christopher Dresser and [[James Abbot McNeill Whistler]] <ins style="font-weight: bold; text-decoration: none;"> - were also fascinated by Japanese woodcuts and oriental art (''Japonisme'')</ins>. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leyland's flat in London in 1876/<ins style="font-weight: bold; text-decoration: none;">1877</ins>. Today it is shown in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic <del style="font-weight: bold; text-decoration: none;">movement </del>in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]].  </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic <ins style="font-weight: bold; text-decoration: none;">Movement </ins>in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]].  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Fiell, Carlotte und Peter. &#039;&#039;Design Handbook: Konzepte ,Materialien, Stile&#039;&#039;. Köln: Taschen, 2006.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Fiell, Carlotte und Peter. &#039;&#039;Design Handbook: Konzepte ,Materialien, Stile&#039;&#039;. Köln: Taschen, 2006.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the <del style="font-weight: bold; text-decoration: none;">perversion </del>of the Victorian <del style="font-weight: bold; text-decoration: none;">ideal</del>''. Cambridge: CUP, 1997.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the <ins style="font-weight: bold; text-decoration: none;">Perversion </ins>of the Victorian <ins style="font-weight: bold; text-decoration: none;">Ideal</ins>''. Cambridge: CUP, 1997.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-10598:rev-12987:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=10598&oldid=prev 2015-11-04T13:34:20Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:34, 4 November 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] <del style="font-weight: bold; text-decoration: none;">Revival</del>. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art<del style="font-weight: bold; text-decoration: none;">.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[</del>Japonisme<del style="font-weight: bold; text-decoration: none;">]]</del>.  </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] <ins style="font-weight: bold; text-decoration: none;">revival</ins>. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art <ins style="font-weight: bold; text-decoration: none;">(''</ins>Japonisme<ins style="font-weight: bold; text-decoration: none;">'')</ins>. Designers of the Aesthetic Movement were for example the architect E.W. Godwin, Christopher Dresser and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leyland's flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect <del style="font-weight: bold; text-decoration: none;">[[</del>E.W. Godwin<del style="font-weight: bold; text-decoration: none;">]]</del>, <del style="font-weight: bold; text-decoration: none;">[[</del>Christopher Dresser<del style="font-weight: bold; text-decoration: none;">]] </del>and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for <del style="font-weight: bold; text-decoration: none;">[[</del>F.R. Leyland<del style="font-weight: bold; text-decoration: none;">]]</del>'s flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington<del style="font-weight: bold; text-decoration: none;">.</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Oscar Wilde's play ''[[Salomé]]'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced</del>.  </div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. </ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-10269:rev-10598:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=10269&oldid=prev 2015-04-30T15:01:35Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:01, 30 April 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leyland]]&#039;s flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leyland]]&#039;s flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Oscar Wilde's play ''[[Salomé]]'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced. <del style="font-weight: bold; text-decoration: none;">[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Oscar Wilde's play ''[[Salomé]]'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.  </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6389:rev-10269:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6389&oldid=prev 2011-01-19T23:40:50Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:40, 19 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leyland]]'s flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington.<del style="font-weight: bold; text-decoration: none;">[[Image:Peacock room.jpg|thumb|Whistler,Peacock Room,1876/77]]</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leyland]]'s flat in London in 1876/77. Today it is shown in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Oscar Wilde's play [[<del style="font-weight: bold; text-decoration: none;">''</del>Salomé''<del style="font-weight: bold; text-decoration: none;">]] </del>were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Oscar Wilde's play <ins style="font-weight: bold; text-decoration: none;">''</ins>[[Salomé<ins style="font-weight: bold; text-decoration: none;">]]</ins>'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced. [[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Sources:</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Fiell, Carlotte und Peter. ''Design Handbook: Konzepte ,Materialien, Stile''. Köln: Taschen, 2006.</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Sources ==</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Fiell, Carlotte und Peter. ''Design Handbook: Konzepte ,Materialien, Stile''. Köln: Taschen, 2006.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*</ins>Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6382:rev-6389:php=table --> </table>

WikiSysop https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6382&oldid=prev 2011-01-19T15:54:56Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:54, 19 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. <del style="font-weight: bold; text-decoration: none;">Leylands</del>]] flat in London in 1876/77. Today it is <del style="font-weight: bold; text-decoration: none;">still show </del>in the Freer Gallery in Washington.[[Image:Peacock room.jpg|thumb|Whistler,Peacock Room,1876/77]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. <ins style="font-weight: bold; text-decoration: none;">Leyland</ins>]]<ins style="font-weight: bold; text-decoration: none;">'s </ins>flat in London in 1876/77. Today it is <ins style="font-weight: bold; text-decoration: none;">shown </ins>in the Freer Gallery in Washington.[[Image:Peacock room.jpg|thumb|Whistler,Peacock Room,1876/77]]</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic <del style="font-weight: bold; text-decoration: none;">Movement </del>in Britain <del style="font-weight: bold; text-decoration: none;">however </del>are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (<del style="font-weight: bold; text-decoration: none;">1.</del>). Especially his illustrations for Oscar <del style="font-weight: bold; text-decoration: none;">Wildes </del>play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic <ins style="font-weight: bold; text-decoration: none;">movement </ins>in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press<ins style="font-weight: bold; text-decoration: none;">.  „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” </ins>(<ins style="font-weight: bold; text-decoration: none;">Zatlin, 22</ins>). Especially his illustrations for Oscar <ins style="font-weight: bold; text-decoration: none;">Wilde's </ins>play [[<ins style="font-weight: bold; text-decoration: none;">''</ins>Salomé<ins style="font-weight: bold; text-decoration: none;">''</ins>]] were seen as too sexual and offensive, therefore some of his initial illustrations had to <ins style="font-weight: bold; text-decoration: none;">be </ins>replaced.[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Sources:</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Sources:</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Fiell, Carlotte und Peter. &#039;&#039;Design Handbook: Konzepte ,Materialien, Stile&#039;&#039;. Köln: Taschen, 2006.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Fiell, Carlotte und Peter. &#039;&#039;Design Handbook: Konzepte ,Materialien, Stile&#039;&#039;. Köln: Taschen, 2006.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997<del style="font-weight: bold; text-decoration: none;">. p.19-48</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6376:rev-6382:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6376&oldid=prev 2011-01-18T20:51:18Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:51, 18 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8">Line 8:</td> <td colspan="2" class="diff-lineno">Line 8:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sources:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sources:</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Fiell, Carlotte und Peter. Design Handbook: Konzepte ,Materialien, Stile. Köln: Taschen, 2006.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Fiell, Carlotte und Peter. <ins style="font-weight: bold; text-decoration: none;">''</ins>Design Handbook: Konzepte ,Materialien, Stile<ins style="font-weight: bold; text-decoration: none;">''</ins>. Köln: Taschen, 2006.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Zatlin, Linda Gertner. Beardsley, Japonisme and the perversion of the Victorian ideal. Cambridge: CUP, 1997. p.19-48.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Zatlin, Linda Gertner. <ins style="font-weight: bold; text-decoration: none;">''</ins>Beardsley, Japonisme and the perversion of the Victorian ideal<ins style="font-weight: bold; text-decoration: none;">''</ins>. Cambridge: CUP, 1997. p.19-48.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6375:rev-6376:php=table --> </table>

Helen https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6375&oldid=prev 2011-01-18T20:46:52Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:46, 18 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.<ins style="font-weight: bold; text-decoration: none;">[[Image:Peacock room.jpg|thumb|Whistler,Peacock Room,1876/77]]</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[Image:Aubrey Beardsley 1894 Salome.jpg|thumb|Aubrey Beardsley, Salome, 1894]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6373:rev-6375:php=table --> </table>

Helen https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6373&oldid=prev 2011-01-18T20:39:58Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:39, 18 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[<del style="font-weight: bold; text-decoration: none;">File</del>:Aubrey Beardsley 1894 Salome.jpg]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[<ins style="font-weight: bold; text-decoration: none;">Image</ins>:Aubrey Beardsley 1894 Salome.jpg<ins style="font-weight: bold; text-decoration: none;">|thumb|Aubrey Beardsley, Salome, 1894</ins>]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6372:rev-6373:php=table --> </table>

Helen https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6372&oldid=prev 2011-01-18T20:36:28Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:36, 18 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[<del style="font-weight: bold; text-decoration: none;">File:</del>File:Aubrey Beardsley 1894 Salome.jpg</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.[[File:Aubrey Beardsley 1894 Salome.jpg]]</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>]]</div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6371:rev-6372:php=table --> </table>

Helen https://el.rub.de/wiki/Brit-Cult/index.php?title=Aesthetic_movement&diff=6371&oldid=prev 2011-01-18T20:35:58Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:35, 18 January 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]].  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.<ins style="font-weight: bold; text-decoration: none;">[[File:File:Aubrey Beardsley 1894 Salome.jpg</ins></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">]]</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.  „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6369:rev-6371:php=table --> </table>

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